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BLAQ

BLAQ: introduces the term Blaq to specifically name descendants of enslaved Africans who built America, distinguishing this group from the broader Black diaspora. The author argues that, like Haitians or Nigerians who have clear cultural identities, Blaq Americans deserve their own distinct recognition based on their unique history, culture, language, and experience shaped by surviving slavery and systemic oppression in the U.S.

The “q” in Blaq marks this distinct identity—a declaration of a specific American Black experience that includes creating culture from chaos and enduring centuries of betrayal and resilience. The work responds to ongoing efforts to erase or distort Black history, especially in certain U.S. states.

It also explores the complexity of Pan-Africanism, recognizing Africa as a diverse continent with histories of conflict and participation in slavery, complicating simple narratives of return or unity. The author addresses disputes over identity and reparations.


The lived reality of Blaq Americans—caught between identities, facing systemic racism and cultural erasure yet rooted deeply in American soil where their ancestors rest—is central to this work.
Ultimately, BLAQ is a poetic and historical declaration of identity and cultural reclamation. It calls for recognizing and honoring the distinct Blaq experience and contributions in America amid ongoing struggles to erase or diminish that legacy.

QUEEN OF NON SEQUITURS
Queen of Non Sequiturs​

In this groundbreaking collection, Nik Nicholson presents a masterful exploration of poetic experimentation and cultural resonance. The collection represents years of artistic evolution, featuring poems that sometimes approach the same themes from different angles—each version capturing a distinct moment in the poet's development. These carefully curated pieces showcase not just different periods of writing but different voices, different techniques, and different ways of seeing.

Nicholson's work demonstrates particular mastery of the Kwansaba, a seven-line poem with specific constraints that originated in East St. Louis, her hometown. This form, with its deep roots in Black cultural expression, becomes a vehicle for both tradition and innovation in her hands. Yet she moves with equal confidence through free verse and paragraph-style poems, never allowing structure to overshadow substance.

Queen of Non Sequiturs reads like a carefully curated vinyl collection, each piece selected not just for its individual merit but for how it contributes to the whole. Nicholson approaches poetry with the ear of a musician, the heart of a storyteller, and the soul of a cultural preservationist. Her experiments with form and style reveal a writer deeply engaged with both craft and feeling, someone who understands that rules exist to be both respected and reimagined.

 

The collection showcases Nicholson's evolution as a poet, featuring works from different periods of her development, each maintaining its own integrity while contributing to a larger narrative about growth, experimentation, and artistic discovery. Some poems appear in multiple versions, like different takes of the same song, each capturing a unique mood or perspective.

Throughout the collection, Nicholson's voice remains authentically rooted in Black American vernacular, celebrating the language and rhythms of her culture while pushing the boundaries of poetic expression. Her work moves effortlessly between structured forms and free-flowing verse, between traditional approaches and experimental techniques, always guided by the twin stars of emotional truth and artistic innovation.

This is more than just a collection of poems—it's a testament to the power of persistent experimentation, cultural celebration, and artistic growth. Through these carefully selected works, Nicholson invites readers into a world where rules are both honored and challenged, where tradition meets innovation, and where every poem opens a new door to understanding both the art form and ourselves.

Descendants of Hagar

 

Descendants of Hagar, is historical fiction about a woman coming to terms with her sexuality beginning in 1914 Zion, Georgia, during the Black Codes.  When Negroes were lynched for one wrong glance. A time when marriage was an agreement between men: a woman’s father and the man he chose for her. Most women had no romantic interest in their future husbands.  In the worst case, they were promised to complete strangers.

            Madelyn “Linny” Remington is the great-great granddaughter of strong-spirited, ex-slave, Miemay, who oversees her rearing. While other women are raised to be broken, Linny is reared to build and repair. When other women are expected to be seen and not heard, Linny is expected to vote beside men.  While women pray to honor their husbands by bearing them sons, Linny wonders how a single woman can provide for herself, when only male children can expect an inheritance.

            A secret has Linny slated as her father’s favorite “son.” That is, until Linny makes a promise that frees her from a conventional woman’s role. Unfortunately, the promise also brings shame on her family. Will Linny, threatened with alienation, honor her promise? Or bow to her father’s will and go back on her word?

Seeking Sex Without Armor

 

 

Seeking Sex Without Armor, is a brutally honest narrative of captivating rhythms and sublime passion.  This courageously vulnerable offering is bound to illuminate each soul it encounters, affirming Nicholson’s distinctive voice.

            Out of a culture and faith that objectifies girls and women while starving their spirits, Nicholson’s sojourn for love, transcends race, sex, gender, orientation and religion.  It is a spiritual yearning.

Anthologies of lesbian stories and poems, that feature Nik Nicholson's work.
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